One, armed-guard watched him carefully while the other examined a monitor as he walked through the scanning machine. Chase's service weapon was locked in his desk drawer, he never carried it in the building. He assumed checking it in with security would not have been a big deal. They were after all for lack of a better word, a building full of spies and operatives. Weapons were standard issue. Satisfied he was not an infiltrator, another door slid open, leading into the waiting area outside of the Director's office.Walking in, Chase was surprised to find it full of agents, none of whom he recognized on phones, talking to each other, and just generally working. Although quite large, the Director's outer office itself was not plush, as the trappings of the elevator bank and building itself would suggest. It was but sparse and functional. With its rows of computer, com-links and wall maps, one had the feeling the entire country could be run from this room if need be. Or, more. The music slowed, grew softer, the chords less lush. When I stand, Watching morning, noon or evening I feel the heartbeat of the people anchored here. I close my eyes, I can feel the planet spinnin’, Never stopping, never will: yeah, this I know, The light, the water: it’s only you. Silver surf, golden glow. One last chord, hushed, somber, quickly faded. The applause was gentle, warm, the audience moved. The man smiled gently, eyes downcast. ‘Thank you,’ he almost whispered. He rose from stool, turned for the side door. ‘Goodnight, Linda,’ he called as the crowd began to stir, waving toward the counter. ‘Goodnight, sugar,’ Linda called back, ‘get home safe.’ The young man nodded, slung his guitar over his back, neck pointing toward Earth, and opened the door, slipping out quietly. His ears were met by the ubiquitous, reliable murmur of the Chicago evening. Taxis beeped, buses rumbled, people laughed and shouted, music blared, the El thundered by overhead. He deeply partook in a.
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